![]() ![]() ![]() Los Angeles: Getty Research Institute, 2006. Washington, D.C: National Gallery of Art, 2016. “A Driven Yet Most Amiable Man.” in Hubert Robert, edited by Michelle Piranio, 45-56. Hubert Robert: Painted Spaces of the Enlightenment. Cambridge: Cambridge University Press, 1998. “A Taste for Classical Antiquity in Town-Planning Projects: Two Aspects of the Art of Hubert Robert.” The Burlington Magazine, 114, no. This is as the favoured artist of an enterprising Parisian elite. Washington, D.C.: National Gallery of Art, 2016. Futures & Ruins - Eighteenth-Century Paris and the Art of Hubert Robert. Grasselli, Margaret Morgan and Yuriko Jackall. Los Angeles: Getty Research Institute, 2010. Futures & Ruins: Eighteenth-Century Paris and the Art of Hubert Robert. New Haven: Yale University Press, 1995.ĭubin, Nina L. Washington, D.C.: National Gallery of Art, 1978.ĭiderot, Denis, and John Goodman. 3 (2001).Ĭarlson, Victor, and Hubert Robert. Futures & Ruins: Eighteenth-Century Paris and the Art of Hubert Robert 210. “Hubert Robert in Rome: Some Pen-and-Wash Drawings” Master Drawings, 39, no. Futures & Ruins: Eighteenth-Century Paris and the Art of Hubert Robert 210. “From the ‘Museum’ to the Musee du Louvre: Schemes and Transformations in Connexion with Two Paintings by Hubert Robert” The Burlington Magazine, 105, no. “Form and Meaning in Hubert Robert’s Ruin Caprices: Four Paintings of Fictive Ruins for the Chateau de Mereville.” Art Institute of Chicago Museum Studies 15, no.1 (1989): 21-85.Ĭailleux, Jean and Marianne Roland Michel. ![]()
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